Sketchnotes 101: The Basics of Visual Note-taking

Sketchnotes 101: The Basics of Visual Note-taking: "

Welcome to the second article in the the new Core77 'Sketchnotes Channel' (www.core77.com/sketchnotes) where we'll be exploring the application of visual thinking tools in the worlds of design and creative thinking.



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So you say you're ready to start sketchnoting.



Maybe you're not much of a sketcher but you take a lot of notes, and are interested in making them more meaningful and interesting, but you're afraid your drawings are too crude. For you, it's important to stress that sketchnotes—although they are inherently a visual medium—do not require drawing ability of any kind. Essentially they're about transforming ideas into visual communication; structuring thoughts and giving hierarchy to concepts can be completed with strictly text and a few lines.



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Maybe you're perpetually drawing and want to try and make your notes more useful and engaging but you are afraid of imposing structure to your normally freeform way of sketching. For you it's important to consider that sketchnotes can be as linear or abstract as your personality (or the presentation) dictates. Some content is best sketchnoted by listening closely and attempting to accurately synthesize and structure the thoughts. Usually these presentations have a very logical progression that may already be based in some sort of structure, so they lend them selves nicely to this style of sketchnoting. More narrative-based storytelling may be best sketchnoted by casually doodling along with the content and letting the content inspire your visuals. Story-based presentations may be best represented by capturing the overall experiences through quotes and illustrations of the anecdotes, and not necessarily imposing rigid structure.



In the end, it's up to you. As I mentioned in my previous article, sketchnoting is equal parts public, personal, and practice—so it's more fruitful to explore a new style and challenge yourself to record ideas in new ways, than to worry about the end result's overall effectiveness or aesthetic. Sketchbooks should be sketchy.



So let's get tactical. How should you go about approaching sketchnotes? What do you need to get started?



First you need the right tools for the job. And by 'right tools' I mean, 'any sketchbook and pen combination that makes you happy.' Preferences for media and marking-tool probably span back to the days of the caveman; there's no right answers.



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